The Beatles' 1965 US Tour
Tour/Concert Information
Artist The Beatles
Place(s) U.S.
Date 1965 August 15 - 31
Audience Unknown

The Beatles staged their second concert tour of the United States (with one date in Canada) in the late summer of 1965. At the peak of American Beatlemania, they played a mixture of outdoor stadiums and indoor arenas, with two historic stops on this venture.

After this tour's conclusion, the Beatles, who had been touring, recording and promoting non-stop for three years, took a six-week break before reconvening in mid-October to record the album Rubber Soul.

The Shea Stadium ShowEdit

The Shea Stadium concert on August 15 was record breaking and one of the most famous concert events of its era. It set records for attendance and revenue generation. Promoter Sid Bernstein said, "Over 55,000 people saw the Beatles at Shea Stadium. We took $304,000, the greatest gross ever in the history of show business"[1] demonstrating that outdoor concerts on a large scale could be successful and profitable.

The Beatles were transported to the roof of the World's Fair by a New York Airways Boeing Vertol 107-II helicopter, then took a Wells Fargo armoured truck to the stadium. 2,000 security personnel were at the stadium to handle crowd control.[1] The crowd was confined to the spectator areas of the stadium with nobody other than the band members, their entourage and security personnel allowed on the field. As a result of this, the audience was a long distance away from the band while they played on a small stage in the middle of the field.

"Beatlemania" was at one of its highest marks at the Shea Concert. Film footage taken at the concert shows many teenagers and women crying, screaming, and even fainting. The crowd noise was such that security guards can be seen covering their ears as The Beatles enter the field. Despite the heavy security presence individual fans broke onto the field a number of times during the concert and had to be chased down and restrained. Concert film footage also shows John Lennon light-heartedly pointing out one such incident as he attempted to talk to the audience in between songs.

The deafening level of crowd noise coupled with the distance between the band and the audience meant that nobody in the stadium could hear much of anything. Vox had specially designed 100-watt amplifiers for this tour and it was still not anywhere near loud enough, and so the Beatles used the house amplification system. Lennon described the noise as "wild" and also twice as deafening when the Beatles performed. Not being able to hear each other or even themselves, The Beatles just played through a list of songs nervously, not knowing what kind of sound was being produced. At the end of the show (during "I'm Down"), Lennon saw the whole show as being so ridiculous that he just began playing the keyboard with his elbows while the whole group laughed hysterically. The Beatles section of the concert was extremely short by modern standards (just 30 minutes), but was the typical 1965 Beatles tour set list, with Ringo opting to sing "Act Naturally" instead of "I Wanna Be Your Man."

A documentary titled The Beatles at Shea Stadium[1] was produced by Ed Sullivan (under his Sullivan Productions, Inc. banner), NEMS Enterprises Ltd. (which owns the 1965 copyright), and the Beatles company Subafilms Ltd. The project utilized twelve cameras to capture the mayhem and mass hysteria that was Beatlemania in America in 1965. With overdubs recorded by the Beatles in London in January 1966 to cover audio problems throughout the concert recording, the documentary aired in the United States in 1966 on the ABC television network, and has been widely available on the bootleg circuit for decades.

In May 2007, a recording of the entire show sourced from the actual in-line stadium public address system surfaced.[2] The recording offers a fascinating minute-by-minute document of the complete concert, including opening sets from King Curtis, Cannibal and the Headhunters, Brenda Holloway and Sounds Incorporated. More importantly for fans, it offers the actual Beatles performance unaltered by overdubs and sweetening.


  • There is a "1966 US Tour" too.
  • The audiences are too many that they cannot be counted.
  • "Beatlemania" is born.
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